这部新出版物是 aica press / Les presses du réel 旗下《世界艺术评论家》（Art Critics of The World）丛书持续推出的第三种，也是斯洛伐克评论家 Tomáš Štrauss 著作的首部英文文集。AICA 的《世界艺术评论家》丛书旨在面向尽可能广泛的读者，呈现那些最能代表各自国家、而其国际知名度尚不及其应有水平的原创评论家的文本。Tomáš Štrauss（1931年生于布达佩斯，2013年卒于布拉迪斯拉发）是“社会主义”中东欧战后新先锋派的关键理论家。“对其文本的批判性阅读，不可避免地要求我们把它们置于20世纪90年代后半期开始确立的那套理论的语境之中，该理论的主要年轻一代倡导者包括 Boris Groys、Igor Zabel、Piotr Piotrowski 和 Edit András”（Daniel Grúň）。由 Daniel Grúň、Henry Meyric Hughes、Jean-Marc Poinsot 编辑；斯洛伐克语文本由 Jonathan Owen 翻译，德语文本由 Hayley Haupt 翻译。这部 Štrauss 著作的出版部分得到 Erste Group 与 ERSTE 基金会艺术收藏的资助，由 Presses du Réel 与 AICA Press 出版。2020年3月出版 英文…
This new publication, the third in the ongoing series of aica press / Les presses du réel's publications, Art Critics of The World , is the first English-language anthology of writings by the Slovak critic, Tomáš Štrauss. AICA's series, Art Critics of The World , aims to offer the widest possible readership texts by original critics who best represent their countries, and who are not yet as internationally famous as they should be. Tomáš Štrauss (Budapest, 1931 - Bratislava, 2013) was a key theoretician of the post-war neo-avant-gardes in “socialist” Central and Eastern Europe. “A critical reading of his texts unavoidably demands that we situate them in the context of that theory that began to establish itself in the second half of the 1990s, and whose chief younger proponents included Boris Groys, Igor Zabel, Piotr Piotrowski and Edit András” (Daniel Grúň). Edited by Daniel Grúň, Henry Meyric Hughes, Jean-Marc Poinsot . Translated from the Slovak by Jonathan Owen and from the German by Hayley Haupt. The Strauss book was partially funded by The Art Collection of Erste Group and ERSTE Foundation and published by Presses du Réel and AICA Press. published in March 2020 English editio…